Amid the hundreds of "how-to" books that have appeared in recent years, there have been very few which attempted to analyze the mysteries of play-construction. This book does that — and its principles are so valid that they apply equally well to the short story, novel and screenplay.
Lajos Egri examines a play from the inside out, starting with the heart of any drama: its characters. For it is people — their private natures and their inter-relationships — that move a story and give it life. All good dramatic writing depends upon an understanding of human motives. Why do people act as they do? What forces transform a coward into a hero, a hero into a coward? What is it that Romeo does early in Shakespeare’s play that makes his later suicide seem inevitable? Why must Nora leave her husband at the end of A Doll’s House?
These are a few of the fascinating problems which Egri analyzes. He shows how it is essential for the author to have a basic premise — a thesis, demonstrated in terms of human behavior — and to develop his dramatic conflict on the basis of that behavior. Premise, character, conflict: this is Egri’s ABC. His book is a direct, jargon-free approach to the problem of achieving truth in a literary creation.