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The Seen World explores the writings of Dutch painter and poet Samuel van Hoogstraten (1627–7—considered one of Rembrandt’s pupils—and clarifies his use of painterly themes and concept from the Dutch Golden Age. Van Hoogstraten drew on quite a lot of literary, philosophical, and inventive sources, in addition to from historical past and journey accounts, in writing has magnum opus, Introduction to the Academy of Portray; or the Seen World (167 a cross-section of common seventeenth-century views on artwork in Holland. Questioning the motives of artists represented by van Hoogstraten’s principle, in addition to the contested points behind Dutch realism and its hidden symbolism, writer Thijs Weststeijn supplies an formidable overview of seventeenth-century portray by way of the eyes of up to date Dutch artists from the age.